1
00:00:20,787 --> 00:00:21,981
AND NOW...
2
00:00:22,022 --> 00:00:23,182
IT'S...
3
00:00:27,627 --> 00:00:31,723
MONTY PYTHON'S FLYING CIRCUSES.
4
00:00:35,000 --> 00:00:39,000
Ripped & Corrected By mstoll
5
00:00:58,725 --> 00:01:00,750
THE ADVENTURES OF BIGGLES.
6
00:01:00,794 --> 00:01:05,458
"BIGGLES
DICTATES A LETTER. "
7
00:01:05,498 --> 00:01:07,261
MISS BLADDER, TAKE A LETTER.
8
00:01:07,300 --> 00:01:08,494
YES, SENOR BIGGLES.
9
00:01:08,535 --> 00:01:10,560
DON'T CALL
ME "SENOR"!
10
00:01:10,603 --> 00:01:12,070
OR GROUP
CAPTAIN BIGGLES
11
00:01:12,105 --> 00:01:15,074
OR MARY BIGGLES
IF I'M DRESSED AS MY WIFE
12
00:01:15,108 --> 00:01:16,302
BUT NEVER SENOR!
13
00:01:16,342 --> 00:01:17,309
SORRY.
14
00:01:17,343 --> 00:01:19,072
I'VE NEVER EVEN BEEN TO SPAIN.
15
00:01:19,112 --> 00:01:21,137
YOU WENT TO IBIZA LAST YEAR.
16
00:01:21,247 --> 00:01:23,977
THAT'S STILL NO GROUNDS
FOR CALLING ME SENOR
17
00:01:24,017 --> 00:01:26,144
OR "DON BEEG-LES,"
FOR THAT MATTER.
18
00:01:27,387 --> 00:01:29,912
RIGHT. DEAR
KING HAAKON...
19
00:01:29,956 --> 00:01:31,685
"OF NORWAY,"
IS THAT?
20
00:01:31,724 --> 00:01:34,056
JUST PUT DOWN
WHAT I SAY.
21
00:01:34,094 --> 00:01:35,356
DO I PUT THAT DOWN?
22
00:01:35,395 --> 00:01:36,521
COURSE YOU DON'T PUT THAT DOWN!
23
00:01:36,563 --> 00:01:37,825
WELL, WHAT ABOUT THAT?
24
00:01:37,864 --> 00:01:40,162
LOOK!
25
00:01:40,200 --> 00:01:43,601
DON'T PUT THAT DOWN.
26
00:01:43,636 --> 00:01:46,070
JUST PUT DOWN...
WAIT A MO, WAIT A MO.
27
00:01:46,106 --> 00:01:48,540
NOW, WHEN I'VE GOT
THESE ANTLERS ON...
28
00:01:48,575 --> 00:01:50,475
WHEN I'VE GOT
THESE ANTLERS ON
29
00:01:50,510 --> 00:01:51,670
I AM DICTATING
30
00:01:51,711 --> 00:01:54,578
AND WHEN I TAKE THEM OFF,
I'M NOT DICTATING.
31
00:01:54,614 --> 00:01:56,673
"I'M NOT DICTATING."
32
00:01:56,716 --> 00:01:58,946
WHAT?
33
00:01:58,985 --> 00:02:00,418
READ THAT BACK.
34
00:02:00,453 --> 00:02:03,752
"DEAR KING HAAKON,
I'M NOT DICTATING.
35
00:02:03,790 --> 00:02:04,916
WHAT?"
36
00:02:04,958 --> 00:02:08,951
NO, NO, NO, NO, YOU
LOOPY BROTHEL INMATE!
37
00:02:08,995 --> 00:02:11,327
I'VE HAD
ENOUGH OF THIS.
38
00:02:11,364 --> 00:02:12,592
I'M NOT A
COURTESAN.
39
00:02:12,632 --> 00:02:15,192
OH, OH, COURTESAN...
OH, AREN'T WE GRAND?
40
00:02:15,235 --> 00:02:17,533
HARLOT'S NOT GOOD
ENOUGH FOR US, EH?
41
00:02:17,570 --> 00:02:19,868
PARAMOUR, CONCUBINE,
FILLE DE JOIE...
42
00:02:19,906 --> 00:02:21,339
THAT'S WHAT
WE ARE NOT.
43
00:02:21,374 --> 00:02:23,535
WELL, LISTEN TO ME,
MY FINE FELLOW
44
00:02:23,576 --> 00:02:24,873
YOU ARE
A BIT OF TAIL
45
00:02:24,911 --> 00:02:26,139
THAT'S WHAT
YOU ARE.
46
00:02:26,179 --> 00:02:28,977
I AM NOT, YOU DEMENTED
FICTIONAL CHARACTER.
47
00:02:29,015 --> 00:02:30,209
ALGY SAYS YOU ARE.
48
00:02:30,250 --> 00:02:32,810
HE SAYS YOU'RE NO BETTER
THAN YOU SHOULD BE.
49
00:02:32,852 --> 00:02:34,217
AND HOW WOULD
HE KNOW?
50
00:02:34,320 --> 00:02:36,345
AND JUST WHAT DO
YOU MEAN BY THAT?
51
00:02:36,389 --> 00:02:37,686
ARE YOU CALLING
52
00:02:37,724 --> 00:02:40,056
MY OLD FICTIONAL
COMRADE-IN-ARMS A FAIRY?
53
00:02:40,093 --> 00:02:43,893
FAIRY! POOF'S NOT GOOD
ENOUGH FOR ALGY, IS IT?
54
00:02:43,930 --> 00:02:46,490
HE'S GOT TO BE A BLEEDIN' FAIRY.
55
00:02:46,533 --> 00:02:48,558
MINCING OLD R.A.F. QUEEN.
56
00:02:48,601 --> 00:02:50,432
ALGY, I HAVE
TO SEE YOU.
57
00:02:50,470 --> 00:02:52,938
Righto.
58
00:02:54,073 --> 00:02:55,836
WHAT HO, EVERYONE.
59
00:02:55,875 --> 00:02:57,035
ARE YOU GAY?
60
00:02:57,076 --> 00:03:00,773
I SHOULD BALLY WELL
SAY SO, OLD FRUIT.
61
00:03:02,048 --> 00:03:06,178
UGH! DEAR KING HAAKON...
62
00:03:06,219 --> 00:03:07,686
OH. DEAR KING HAAKON
63
00:03:07,720 --> 00:03:10,450
JUST A LINE TO THANK
YOU FOR THE EELS.
64
00:03:10,490 --> 00:03:13,687
MARY THOUGHT THEY WERE
REALLY SCRUMMY, COMMA
65
00:03:13,726 --> 00:03:15,193
SO DID I, FULL STOP.
66
00:03:15,228 --> 00:03:19,255
I'VE JUST HEARD THAT ALGY WAS
A POOF, EXCLAMATION MARK.
67
00:03:19,299 --> 00:03:23,258
WHAT WOULD CAPTAIN W.E. JOHNS
HAVE SAID, QUESTION MARK.
68
00:03:23,369 --> 00:03:27,601
SORRY TO MENCH, BUT IF YOU'VE
FINISHED WITH THE LAWN EDGER
69
00:03:27,640 --> 00:03:29,733
COULD YOU POP IT
IN THE POST?
70
00:03:29,776 --> 00:03:32,677
LOVE, BIGGLES, ALGY
DECEASED, AND GINGER.
71
00:03:32,712 --> 00:03:33,679
GINGER?
72
00:03:33,713 --> 00:03:34,680
WHAT?
73
00:03:34,714 --> 00:03:37,774
RHYMING SLANG...
GINGER BEER.
74
00:03:37,817 --> 00:03:39,512
OH.
75
00:03:39,552 --> 00:03:40,849
GINGER.
76
00:03:40,887 --> 00:03:43,287
Hello, sweetie.
77
00:03:43,389 --> 00:03:44,481
I HAVE TO SEE YOU.
78
00:03:46,059 --> 00:03:47,492
YES, BIGGLES?
79
00:03:47,527 --> 00:03:48,994
ARE YOU A POOF?
80
00:03:49,028 --> 00:03:52,122
I SHOULD SAY NOT!
81
00:03:52,165 --> 00:03:53,655
THANK GOD FOR THAT.
82
00:03:53,700 --> 00:03:57,898
GOOD LAD, STOUT FELLOW, SALT OF
THE EARTH, BACKBONE OF ENGLAND.
83
00:03:57,937 --> 00:03:59,802
FUNNY, HE LOOKS LIKE A POOF.
84
00:03:59,839 --> 00:04:01,568
DEAR PRINCESS MARGARET...
85
00:04:02,475 --> 00:04:04,909
HELLO.
86
00:04:04,944 --> 00:04:08,675
GET BACK IN THE CUPBOARD, YOU
PANTOMIMETIC ROYAL PERSON!
87
00:04:08,715 --> 00:04:10,444
LEMON CURRY?
88
00:04:10,483 --> 00:04:12,508
DEAR REAL PRINCESS MARGARET
89
00:04:12,552 --> 00:04:15,043
THANK YOU FOR THE EELS,
FULL STOP.
90
00:04:15,088 --> 00:04:17,318
THEY WERE ABSOLUTELY DELICIOUS
91
00:04:17,390 --> 00:04:19,915
AND UNMISTAKABLY
REGAL, FULL STOP.
92
00:04:19,959 --> 00:04:24,293
SORRY TO MENCH, BUT IF YOU'VE
FINISHED WITH THE HAIRDRYER
93
00:04:24,330 --> 00:04:26,525
COULD YOU POP IT IN THE POST?
94
00:04:26,566 --> 00:04:28,625
YOURS FICTIONALLY, BIGGLES.
95
00:04:28,668 --> 00:04:32,798
OH, P. S... SEE YOU AT THE SAXE-
COBURGS' CANASTA EVENING.
96
00:04:32,839 --> 00:04:34,534
THAT SHOULD PUZZLE HER.
97
00:04:34,574 --> 00:04:37,008
SI, SENOR BEEG-LES.
98
00:04:37,043 --> 00:04:39,102
SILENCE, NAUGHTY
LADY OF THE NIGHT!
99
00:04:40,546 --> 00:04:45,882
NEXT WEEK, PART TWO:
"BIGGLES FLIES UNDONE."
100
00:04:54,027 --> 00:04:55,517
UGH!
101
00:05:20,186 --> 00:05:23,053
MEANWHILE, NOT VERY FAR AWAY...
102
00:05:23,089 --> 00:05:25,284
CLIMBING... THE
WORLD'S LONELIEST SPORT
103
00:05:25,325 --> 00:05:27,850
WHERE HARDSHIP AND PHILOSOPHY
GO HAND IN GLOVE.
104
00:05:27,894 --> 00:05:30,761
AND HERE, ANOTHER BRITISH
EXPEDITION ATTEMPTING TO BE
105
00:05:30,797 --> 00:05:32,662
THE FIRST MAN
TO SUCCESSFULLY CLIMB
106
00:05:32,699 --> 00:05:34,633
THE NORTH FACE
OF THE UXBRIDGE ROAD.
107
00:05:36,135 --> 00:05:39,036
THIS FOUR-MAN ROPE HAS BEEN
CLIMBING TREMENDOUSLY.
108
00:05:39,072 --> 00:05:41,836
BBC CAMERAS WERE THERE
TO FILM EVERY INCH.
109
00:05:41,874 --> 00:05:45,332
THE MAJOR ASSAULT ON THE
UXBRIDGE ROAD HAS BEEN GOING ON
110
00:05:45,378 --> 00:05:46,675
FOR ABOUT THREE WEEKS
111
00:05:46,713 --> 00:05:49,113
REALLY EVER SINCE THEY
ESTABLISHED BASE CAMP
112
00:05:49,148 --> 00:05:51,275
HERE AT THE JUNCTION
OF WILLESDEN ROAD.
113
00:05:51,317 --> 00:05:54,343
FROM THERE THEY CLIMBED STEADILY
TO ESTABLISH CAMP TWO
114
00:05:54,387 --> 00:05:57,413
OUTSIDE LEWIS'S, AND IT'S TAKEN
THEM ANOTHER THREE DAYS
115
00:05:57,490 --> 00:06:00,425
TO ESTABLISH CAMP THREE
HERE OUTSIDE THE POST OFFICE.
116
00:06:00,460 --> 00:06:03,088
WELL, THEY'VE SPENT
A GOOD NIGHT IN THERE LAST NIGHT
117
00:06:03,129 --> 00:06:05,324
IN PREPARATION
FOR THE FINAL ASSAULT TODAY.
118
00:06:05,365 --> 00:06:08,061
THE LEADER OF THE EXPEDITION
IS 29-YEAR-OLD BERT TAGG
119
00:06:08,101 --> 00:06:10,092
A LOCAL HEADMASTER
AND MOTHER OF THREE.
120
00:06:10,136 --> 00:06:11,728
BERT, HOW'S
IT GOING?
121
00:06:11,771 --> 00:06:14,569
IT'S A BIT GRIPPING,
IS THIS, CHRIS.
122
00:06:14,607 --> 00:06:17,701
I'VE GOT TO TRY AND
REACH THAT BUS STOP
123
00:06:17,744 --> 00:06:19,041
IN AN HOUR OR SO
124
00:06:19,078 --> 00:06:21,444
AND I'M DOING IT
BY... DAMN...
125
00:06:21,481 --> 00:06:24,609
I'M DOING IT BY LAYBACK
UP THIS GUTTER
126
00:06:24,650 --> 00:06:26,447
SO I'M KIND OF
GUTTERING
127
00:06:26,552 --> 00:06:29,077
AND LAYING BACK
AT THE SAME TIME
128
00:06:29,122 --> 00:06:30,680
AND PHILOSOPHIZING.
129
00:06:30,723 --> 00:06:33,385
UH, BERT, SOME PEOPLE
SAY THIS IS CRAZY.
130
00:06:33,426 --> 00:06:36,884
AYE, WELL, THEY SAID CRIPPEN
WAS CRAZY, DIDN'T THEY?
131
00:06:36,929 --> 00:06:38,624
WELL, CRIPPEN
WAS CRAZY.
132
00:06:38,664 --> 00:06:40,655
OH, WELL, THERE
YOU ARE, THEN.
133
00:06:40,700 --> 00:06:42,668
EH, JOHN? I'M
SENDING YOU DOWN
134
00:06:42,702 --> 00:06:44,226
THIS CARABINER
ON WHITE.
135
00:06:44,270 --> 00:06:46,101
LEMON CURRY?
136
00:06:46,139 --> 00:06:48,471
NOW, YOU SEE, HE'S PUTTING
IN A PEG DOWN THERE
137
00:06:48,574 --> 00:06:50,098
BECAUSE I'M QUITE
A WAY UP NOW
138
00:06:50,143 --> 00:06:51,474
AND IF I COME
UNSTUCK HERE
139
00:06:51,511 --> 00:06:52,978
I GO DOWN QUITE
A LONG WAY.
140
00:06:55,815 --> 00:06:57,476
SUCH QUIET COURAGE IS TYPICAL
141
00:06:57,583 --> 00:07:00,347
OF THE WAY THESE BRAVE CHAPS
SHRUG OFF DANGER.
142
00:07:00,386 --> 00:07:02,479
LIKE IT OR NOT,
YOU'VE GOT TO ADMIRE
143
00:07:02,555 --> 00:07:04,250
THE SKILL THAT GOES INTO IT.
144
00:07:15,435 --> 00:07:17,960
OH, IT'S TERRIBLE
UP ON DECK.
145
00:07:18,004 --> 00:07:19,062
UP ON DECK?
146
00:07:19,105 --> 00:07:22,302
YEAH, ON DECK IT'S
DIABOLICAL WEATHER.
147
00:07:22,341 --> 00:07:23,672
UH, WHAT DECK, DEAR?
148
00:07:23,709 --> 00:07:25,506
THE DECK... THE DECK
OF THE LIFEBOAT.
149
00:07:25,545 --> 00:07:27,843
THIS ISN'T A
LIFEBOAT, DEAR.
150
00:07:27,880 --> 00:07:30,041
THIS IS
24 PARKER STREET.
151
00:07:31,217 --> 00:07:32,980
THIS IS THE NEWHAVEN LIFEBOAT.
152
00:07:33,019 --> 00:07:34,452
NO, IT'S NOT, DEAR.
153
00:07:46,999 --> 00:07:47,988
YOU'RE RIGHT.
154
00:07:48,034 --> 00:07:49,763
THIS ISN'T
A LIFEBOAT AT ALL.
155
00:07:49,802 --> 00:07:51,963
NO, I WOULDN'T LIVE
HERE IF IT WAS.
156
00:07:52,004 --> 00:07:56,100
DO YOU MIND IF I SIT DOWN FOR
A MINUTE AND COLLECT MY WITS?
157
00:07:56,142 --> 00:07:57,131
NO, YOU DO THAT.
158
00:07:57,176 --> 00:07:58,973
I'LL MAKE A NICE CUP OF TEA.
159
00:07:59,011 --> 00:08:00,808
THANKS VERY MUCH.
160
00:08:01,848 --> 00:08:03,440
OOH, IT'S A WILD NIGHT UP TOP.
161
00:08:03,483 --> 00:08:05,178
YOUR TURN ON DECK
SOON, CHARLIE.
162
00:08:05,218 --> 00:08:06,651
IT'S NOT A
LIFEBOAT, FRANK.
163
00:08:06,686 --> 00:08:07,653
WHAT?
164
00:08:07,687 --> 00:08:08,654
WHAT DO YOU MEAN?
165
00:08:08,688 --> 00:08:10,121
IT'S NOT
A LIFEBOAT;
166
00:08:10,156 --> 00:08:11,180
IT'S THIS
LADY'S HOUSE.
167
00:08:17,129 --> 00:08:19,859
CAPTAIN! CAPTAIN, AHOY THERE!
168
00:08:19,899 --> 00:08:21,560
AHOY THERE!
169
00:08:21,634 --> 00:08:22,726
AHOY THERE!
170
00:08:22,768 --> 00:08:23,894
AHOY THERE!
171
00:08:23,936 --> 00:08:24,903
CAPTAIN!
172
00:08:24,937 --> 00:08:27,030
WHO'S THAT SHOUTING?
173
00:08:27,073 --> 00:08:29,200
THERE'S A MAN OUTSIDE NUMBER 24.
174
00:08:29,242 --> 00:08:31,574
TRY IT ON THE FIVE-INCH, GLADYS.
175
00:08:31,677 --> 00:08:34,840
I CANT, I'VE GOT THAT FIXED
ON THE BAILEYS AT NUMBER 13.
176
00:08:34,881 --> 00:08:36,746
THEIR NEW LODGER MOVES IN TODAY.
177
00:08:36,782 --> 00:08:38,545
ALL RIGHT, HOLD 13
ON THE FIVE-INCH
178
00:08:38,584 --> 00:08:41,280
AND TRANSFER THE CARTWRIGHTS
TO THE DIGITAL SCANNER.
179
00:08:41,320 --> 00:08:42,810
OH, OKAY.
180
00:08:42,855 --> 00:08:46,586
HOLD ON! MRS. PETTIGREW'S
COMING BACK FROM THE DOCTOR'S.
181
00:08:46,626 --> 00:08:48,321
OOH, BRING HER UP ON TWO.
182
00:08:49,562 --> 00:08:52,759
WHAT'S THE DURATION RATING
ON THE OSCILLATOR?
183
00:08:52,798 --> 00:08:53,765
48.47.
184
00:08:53,799 --> 00:08:55,528
WELL, THAT'S
A LONG TIME
185
00:08:55,568 --> 00:08:58,969
FOR SOMEONE WHO'S JUST
HAD A ROUTINE CHECKUP.
186
00:08:59,005 --> 00:09:01,997
YES, HER PULSE
RATE'S 146.
187
00:09:02,041 --> 00:09:05,340
OOH, ZOOM IN ON THE 16-MIL
AND HOLD HER, ENID.
188
00:09:05,378 --> 00:09:06,402
ROGER, GLADYS.
189
00:09:06,445 --> 00:09:09,005
I'LL TRY AND GET HER
ON THE 12-INCH.
190
00:09:09,048 --> 00:09:10,606
MOVE THE CURTAIN, ENID.
191
00:09:10,650 --> 00:09:11,810
THANK YOU, LOVE.
192
00:09:13,286 --> 00:09:15,618
YES, IT'S ONE OF THOSE
SELF-RIGHTING MODELS.
193
00:09:15,655 --> 00:09:17,520
NEWHAVEN WAS ABOUT
THE FIRST PLACE
194
00:09:17,557 --> 00:09:18,888
IN THE COUNTRY
TO GET ONE.
195
00:09:18,925 --> 00:09:20,119
WHAT'S THE
DISPLACEMENT
196
00:09:20,159 --> 00:09:21,490
ON ONE OF THEM
JOBS, THEN?
197
00:09:21,527 --> 00:09:22,619
OH, ABOUT
140, 150...
198
00:09:22,662 --> 00:09:23,959
WHO'S FOR FRUIT CAKE?
199
00:09:23,996 --> 00:09:25,725
OH, YES, PLEASE.
200
00:09:25,765 --> 00:09:27,289
YES? RIGHT, MACAROONS...
201
00:09:27,333 --> 00:09:30,734
THAT'S TWO DOZEN FRUIT CAKES,
HALF A DOZEN MACAROONS.
202
00:09:30,770 --> 00:09:32,294
WON'T BE A JIFFY, THEN.
203
00:09:45,351 --> 00:09:48,286
YOO-HOO! MRS. EDWARDS!
204
00:09:49,956 --> 00:09:50,923
HELLO.
205
00:09:50,957 --> 00:09:51,924
HELLO, LOVE.
206
00:09:51,958 --> 00:09:53,425
I WANT TWO DOZEN
FRUIT CAKES
207
00:09:53,459 --> 00:09:54,824
AND HALF A DOZEN
MACAROONS.
208
00:09:54,860 --> 00:09:56,418
OH, SORRY, LOVE,
NO MACAROONS.
209
00:09:56,462 --> 00:09:58,089
HOW ABOUT A NICE
VANILLA SPONGE?
210
00:09:58,130 --> 00:09:59,290
YES, THAT'D
BE LOVELY.
211
00:09:59,332 --> 00:10:00,299
RIGHTO.
212
00:10:01,567 --> 00:10:03,535
OOH, THERE'S THAT
NICE HERRING TRAWLER
213
00:10:03,569 --> 00:10:05,434
COME FOR THEIR
KUP KAKES... EXCUSE ME.
214
00:10:05,471 --> 00:10:06,438
RIGHTO.
215
00:10:06,472 --> 00:10:09,771
HELLO! CAPTAIN SMITH!
216
00:10:09,809 --> 00:10:11,367
HELLO!
217
00:10:11,410 --> 00:10:15,073
KUP KAKES TO STARBOARD!
218
00:10:15,114 --> 00:10:16,081
COMING!
219
00:10:16,115 --> 00:10:17,082
HEAD OUT THERE!
220
00:10:17,116 --> 00:10:19,311
IF YOU WANT I'LL
GET YOUR THINGS.
221
00:10:19,352 --> 00:10:21,286
OH, YES,
THROW 'EM IN.
222
00:10:21,320 --> 00:10:22,480
I'LL PAY YOU
223
00:10:22,521 --> 00:10:24,580
AT THE END OF THE WEEK,
THEN, ALL RIGHT?
224
00:10:24,624 --> 00:10:26,319
OKAY, RIGHTO.
225
00:10:26,359 --> 00:10:27,690
ALL RIGHT.
226
00:10:30,930 --> 00:10:33,262
OOH, IT'S THE ARK ROYAL, DORIS!
227
00:10:33,299 --> 00:10:35,859
HAVE YOU GOT THEIR
ROCK BUNS READY?
228
00:10:37,670 --> 00:10:38,864
HANG ON!
229
00:10:38,904 --> 00:10:42,704
HERE WE ARE,
FIVE FOR THEM
230
00:10:42,808 --> 00:10:46,710
AND FIVE FOR
H.M. S. EAGLE.
231
00:10:46,746 --> 00:10:47,838
RIGHTO.
232
00:10:57,123 --> 00:10:58,215
YES?
233
00:10:58,257 --> 00:11:00,885
H.M. S. DEFIANT,
TWO SET TEAS, PLEASE.
234
00:11:00,926 --> 00:11:03,292
TWO SET TEAS, DORIS.
235
00:11:05,464 --> 00:11:07,159
THAT'LL BE 48 PENCE.
236
00:11:07,199 --> 00:11:10,930
HERE WE ARE,
THANK YOU.
237
00:11:10,970 --> 00:11:13,871
BY THE WAY, DO
YOU DO LUNCHES?
238
00:11:13,906 --> 00:11:17,740
NO, MORNING COFFEES
AND TEAS ONLY.
239
00:11:17,810 --> 00:11:18,902
RIGHTO, DEAR.
240
00:11:35,628 --> 00:11:38,893
GOOD EVENING, AND WELCOME TO
ANOTHER EDITION OF STORAGE JARS.
241
00:11:38,931 --> 00:11:40,159
ON TONIGHT'S PROGRAM
242
00:11:40,199 --> 00:11:42,326
MIKOS ANTONIARKIS,
THE GREEK REBEL LEADER
243
00:11:42,368 --> 00:11:44,427
WHO SEIZED POWER
IN ATHENS THIS MORNING
244
00:11:44,470 --> 00:11:46,563
TELLS US WHAT HE KEEPS
IN STORAGE JARS.
245
00:11:48,908 --> 00:11:50,500
FROM STRIFE-TORN BOLIVIA
246
00:11:50,543 --> 00:11:53,603
RONALD RODGERS REPORTS
ON STORAGE JARS THERE.
247
00:11:55,948 --> 00:11:57,347
AND CLOSER TO HOME
248
00:11:57,383 --> 00:12:00,682
THE FIRST DRAMATIC PICTURES
OF THE MASS JAILBREAK
249
00:12:00,720 --> 00:12:03,553
NEAR THE STORAGE JAR FACTORY
IN MAIDENHEAD.
250
00:12:03,589 --> 00:12:05,784
ALL THIS AND MORE
IN STORAGE JARS.
251
00:12:05,858 --> 00:12:07,587
THIS IS LA PAZ, BOLIVIA.
252
00:12:07,626 --> 00:12:10,595
BEHIND ME, YOU CAN HEAR
THE THUD OF MORTAR
253
00:12:10,629 --> 00:12:13,257
AND THE HIGH-PITCHED
WHINE OF ROCKETS
254
00:12:13,299 --> 00:12:17,463
AS THE BATTLE FOR CONTROL
OF THIS VOLATILE REPUBLIC SHAKES
255
00:12:17,503 --> 00:12:19,801
THE FOUNDATIONS
OF THIS OLD CITY.
256
00:12:19,872 --> 00:12:22,636
BUT WHATEVER THEIR
POLITICAL INCLINATIONS
257
00:12:22,675 --> 00:12:26,167
THESE BOLIVIANS ARE ALL
KEEN USERS OF STORAGE JARS.
258
00:12:26,212 --> 00:12:29,807
HERE THE LARGEST SIZE IS USED
FOR RICE AND FOR MANGOS
259
00:12:29,915 --> 00:12:31,348
A BIG LOCAL CROP.
260
00:12:31,383 --> 00:12:34,819
AND UNLIKE MOST REVOLUTIONARY
SOUTH AMERICAN STATES
261
00:12:34,887 --> 00:12:36,821
THEY'VE AN INTERMEDIARY SIZE
262
00:12:36,856 --> 00:12:39,950
IN BETWEEN THE TWO-POUND
AND FIVE-POUND JARS.
263
00:12:39,992 --> 00:12:42,825
THIS GIVES THIS
POOR-BUT-PROUD PEOPLE
264
00:12:42,895 --> 00:12:46,729
A USEFUL JAR FOR APRICOTS,
PLUMS AND STOCK CUBES.
265
00:12:46,766 --> 00:12:50,099
THE SMALLEST JAR,
THIS LITTLE TWO-OUNCE JAR
266
00:12:50,136 --> 00:12:53,697
FOR SWEETS, CHOCOLATES
AND EVEN LITTLE SHALLOTS.
267
00:12:53,739 --> 00:12:55,536
NO LONGER USED IN THE WEST
268
00:12:55,574 --> 00:12:59,066
IT REMAINS HERE AS AN UNSPOKEN
MONUMENT TO THE DAYS
269
00:12:59,111 --> 00:13:01,170
WHEN LA PAZ KNEW BETTER TIMES.
270
00:13:01,213 --> 00:13:03,807
RONALD RODGERS,
STORAGE JARS, LA PAZ.
271
00:13:03,849 --> 00:13:06,579
IN LONDON, THE
PRIME MINISTER MET OFFICIALS
272
00:13:06,619 --> 00:13:09,349
FROM THE DEPARTMENT OF
THE ENVIRONMENT TO DISCUSS...
273
00:13:13,592 --> 00:13:15,856
A CASSETTE TAPE RECORDER
IS TO REPLACE
274
00:13:15,895 --> 00:13:17,590
THE SALON QUARTETS AND TRIOS
275
00:13:17,630 --> 00:13:21,122
WHICH HAVE PLAYED BESIDE THE
POTTED PALMS OF MANCHESTER...
276
00:13:22,401 --> 00:13:24,562
... HAS CAUSED A SWITCH
TO TAPED MUSIC
277
00:13:24,603 --> 00:13:27,731
WHICH WILL BE RELAYED OVER
A NEW PUBLIC ADDRESS SYSTEM
278
00:13:27,773 --> 00:13:30,606
REPLACING ONE WHICH RELAYED
BOTH MUSIC AND THE...
279
00:13:33,612 --> 00:13:36,342
STOCK MARKET PRICES
HIT RECORD LEVELS
280
00:13:36,382 --> 00:13:38,475
ON THE LAST DAY OF THE YEAR.
281
00:13:38,517 --> 00:13:42,476
THE FINANCIAL TIMES INDEX
ROSE 3.7 POINTS TO 476.5...
282
00:13:53,199 --> 00:13:54,894
... BUT THE BBC HAS REPORTED
283
00:13:54,967 --> 00:13:57,527
THAT RADIO FREE SOLENT,
A PIRATE STATION
284
00:13:57,570 --> 00:14:00,130
WAS MARKING THE FIRST
BIRTHDAY OF THE...
285
00:14:00,172 --> 00:14:03,005
HENRY! TURN THAT TELEVISION OFF!
286
00:14:03,042 --> 00:14:04,907
YOU KNOW IT'S BAD FOR YOUR EYES!
287
00:14:07,813 --> 00:14:09,474
AH, THAT'S BETTER.
288
00:14:09,515 --> 00:14:11,506
HENRY, WILL YOU STOP
SITTING AROUND?
289
00:14:11,550 --> 00:14:12,676
YES, DEAR.
290
00:14:12,718 --> 00:14:14,345
THERE'S AN ENTIRE TV STUDIO
291
00:14:14,386 --> 00:14:17,014
WAITING AROUND FOR YOU
TO DO THE NEXT LINK!
292
00:14:20,693 --> 00:14:22,490
AND WHEN YOU'VE GOT THAT DONE
293
00:14:22,528 --> 00:14:24,223
I'VE GONE SOME
MORE WORK FOR YOU!
294
00:14:24,263 --> 00:14:25,287
YES, DEAR.
295
00:14:25,331 --> 00:14:27,925
HENRY, DO YOU HEAR ME?
296
00:14:28,033 --> 00:14:30,024
HENRY!
297
00:14:30,069 --> 00:14:33,334
HENRY, GET A MOVE ON!
298
00:14:33,372 --> 00:14:34,930
NOW, YOU SOD!
299
00:14:35,007 --> 00:14:36,304
THAT'S BETTER.
300
00:14:36,342 --> 00:14:40,472
HUT-TWO, HUT-TWO, HUT-TWO,
HUT-TWO, HUT-TWO!
301
00:14:54,326 --> 00:14:57,090
HELLO, I'M THE GOOD FAIRY
FROM PROGRAM CONTROL
302
00:14:57,129 --> 00:15:00,223
WHERE WE'RE ALL GRATEFUL
FOR YOUR WORK ON THIS LINK
303
00:15:00,266 --> 00:15:02,632
SO MUCH SO THAT I'M
HERE TO RELEASE YOU
304
00:15:02,668 --> 00:15:04,966
FROM THE EVIL SPELL
YOU'VE BEEN UNDER.
305
00:15:05,004 --> 00:15:05,971
HUH?
306
00:15:09,174 --> 00:15:13,304
HMM, WELL, IT DOESN'T
ALWAYS WORK THE FIRST TIME.
307
00:15:22,354 --> 00:15:24,447
THANK
YOU, THANK YOU.
308
00:15:24,490 --> 00:15:25,957
NO, NO NEED TO.
309
00:15:25,991 --> 00:15:29,188
YOU SEE, IT'S ALL IN A DAY'S
WORK FOR PROGRAM CONTROL.
310
00:15:35,200 --> 00:15:37,725
HELLO, THE SHOW SO FAR...
311
00:15:37,770 --> 00:15:41,866
WELL, IT ALL STARTED WITH
THE ORGANIST LOSING HIS CLOTHES
312
00:15:41,907 --> 00:15:43,875
AS HE SAT DOWN AT THE ORGAN
313
00:15:43,909 --> 00:15:45,774
AND AFTER THIS HAD HAPPENED, UH
314
00:15:45,811 --> 00:15:48,439
AND WE HAD SEEN
THE TITLES OF THE SHOW, WE...
315
00:15:48,480 --> 00:15:51,472
WE SAW BIGGLES DICTATING
A LETTER TO HIS SECRETARY
316
00:15:51,517 --> 00:15:53,178
WHO THOUGHT HE WAS SPANISH
317
00:15:53,218 --> 00:15:55,413
AND WHOM HE REFERRED TO
AS A "HARLOT"
318
00:15:55,454 --> 00:15:57,012
AND A "WOMAN OF THE NIGHT"
319
00:15:57,122 --> 00:16:00,285
ALTHOUGH SHE PREFERRED
TO BE CALLED A "COURTESAN."
320
00:16:03,395 --> 00:16:05,022
UH, THEN WE SAW SOME PEOPLE
321
00:16:05,130 --> 00:16:07,257
TRYING TO CLIMB
A ROAD IN UXBRIDGE
322
00:16:07,299 --> 00:16:09,824
AND THEN THERE WERE
SOME CARTOONS AND...
323
00:16:09,868 --> 00:16:13,634
AND THEN SOME LIFEBOAT MEN CAME
INTO A WOMAN'S SITTING ROOM
324
00:16:13,672 --> 00:16:15,401
AND, UH, AFTER A BIT
325
00:16:15,441 --> 00:16:18,933
THE WOMAN WENT OUT TO BUY
SOME, UH, CAKES ON A LIFEBOAT.
326
00:16:18,978 --> 00:16:22,675
AND THEN, UH, A N... A NAVAL
OFFICER JUMPED INTO THE SEA.
327
00:16:24,350 --> 00:16:28,480
UH, THEN WE SAW A MAN TELLING US
ABOUT STORAGE JARS FROM BOLIVIA
328
00:16:28,520 --> 00:16:31,011
AND THEN THERE WERE
SOME MORE CARTOONS.
329
00:16:31,056 --> 00:16:32,489
AND THEN A... A MAN TOLD US
330
00:16:32,524 --> 00:16:34,549
ABOUT WHAT HAPPENED
ON THE SHOW SO FAR
331
00:16:34,593 --> 00:16:37,187
AND A GREAT HAMMER CAME
AND HIT HIM ON THE HEAD.
332
00:16:38,931 --> 00:16:40,922
I DON'T REMEMBER THAT.
333
00:16:46,739 --> 00:16:47,899
LEMON CURRY?
334
00:17:19,705 --> 00:17:21,536
GOOD MORNING, SIR.
335
00:17:21,573 --> 00:17:23,006
GOOD MORNING.
336
00:17:23,042 --> 00:17:24,737
UM... I WAS SITTING
337
00:17:24,777 --> 00:17:28,304
IN THE PUBLIC LIBRARY
IN THURMOND STREET JUST NOW
338
00:17:28,347 --> 00:17:31,908
SKIMMING THROUGH
ROGUE HERRIES BY HORACE WALPOLE
339
00:17:31,950 --> 00:17:35,113
WHEN I, UM,
SUDDENLY CAME OVER ALL PECKISH.
340
00:17:35,187 --> 00:17:36,347
PECKISH, SIR?
341
00:17:36,388 --> 00:17:37,650
ESURIENT.
342
00:17:37,689 --> 00:17:38,280
EH?
343
00:17:38,323 --> 00:17:41,087
EEE, I WERE ALL HUNGRY, LIKE.
344
00:17:41,126 --> 00:17:42,593
OH, HUNGRY.
345
00:17:42,628 --> 00:17:44,323
IN A NUTSHELL.
346
00:17:44,363 --> 00:17:46,092
SO I THOUGHT TO MYSELF
347
00:17:46,131 --> 00:17:48,463
A LITTLE FERMENTED CURD
WOULD DO THE TRICK
348
00:17:48,500 --> 00:17:51,594
SO I CURTAILED MY WALPOLLING
ACTIVITIES, SALLIED FORTH
349
00:17:51,637 --> 00:17:53,935
AND INFILTRATED
YOUR PLACE OF PURVEYANCE
350
00:17:53,972 --> 00:17:56,941
TO NEGOTIATE THE VENDING
OF SOME CHEESY COMESTIBLES.
351
00:17:56,975 --> 00:17:58,135
COME AGAIN?
352
00:17:58,243 --> 00:18:00,575
I WANT TO BUY SOME CHEESE!
353
00:18:00,612 --> 00:18:03,240
AH... I THOUGHT YOU WERE
COMPLAINING ABOUT THE MUSIC.
354
00:18:03,282 --> 00:18:05,750
OH, HEAVEN FORBID.
I AM ONE WHO DELIGHTS
355
00:18:05,784 --> 00:18:09,276
IN ALL MANIFESTATIONS
OF THE TERPSICHOREAN MUSE.
356
00:18:09,321 --> 00:18:10,151
SORRY.
357
00:18:10,189 --> 00:18:11,281
I LIKE A NICE DANCE...
358
00:18:11,323 --> 00:18:12,255
YOU'RE FORCED TO.
359
00:18:12,291 --> 00:18:13,019
ANYWAY.
360
00:18:13,058 --> 00:18:14,150
WHO SAID THAT?
361
00:18:14,226 --> 00:18:16,160
NOW, MY GOOD MAN,
SOME CHEESE, PLEASE.
362
00:18:16,195 --> 00:18:18,288
YES, CERTAINLY, SIR.
WHAT WOULD YOU LIKE?
363
00:18:18,330 --> 00:18:21,163
WELL, UH, HOW ABOUT
A LITTLE RED LEICESTER?
364
00:18:21,266 --> 00:18:23,427
I'M AFRAID WE'RE FRESH OUT
OF RED LEICESTER, SIR.
365
00:18:23,469 --> 00:18:26,165
NEVER MIND.
HOW ARE YOU ON TILSIT?
366
00:18:26,205 --> 00:18:27,467
NEVER AT THE END
OF THE WEEK, SIR.
367
00:18:27,506 --> 00:18:29,064
ALWAYS GET IT FRESH
FIRST THING ON MONDAY.
368
00:18:29,108 --> 00:18:30,769
TISH, TISH.
369
00:18:30,809 --> 00:18:32,367
NO MATTER, UM...
370
00:18:32,411 --> 00:18:35,710
WELL, FOUR OUNCES OF CAERPHILLY,
THEN, IF YOU PLEASE
371
00:18:35,747 --> 00:18:37,009
STOUT YEOMAN.
372
00:18:37,049 --> 00:18:39,609
AH, WELL, IT'S BEEN ON
ORDER FOR TWO WEEKS, SIR.
373
00:18:39,651 --> 00:18:41,346
I WAS EXPECTING IT
THIS MORNING.
374
00:18:41,386 --> 00:18:42,876
YES, IT'S NOT
MY DAY, IS IT?
375
00:18:42,921 --> 00:18:44,354
UH, BEL PAESE?
376
00:18:44,389 --> 00:18:45,356
SORRY.
377
00:18:45,390 --> 00:18:46,379
RED WINDSOR?
378
00:18:46,425 --> 00:18:47,824
UH, NORMALLY,
SIR, YES...
379
00:18:47,860 --> 00:18:49,327
BUT TODAY
THE VAN BROKE DOWN.
380
00:18:49,361 --> 00:18:51,158
AH... UH, STILTON?
381
00:18:51,196 --> 00:18:52,288
SORRY.
382
00:18:52,331 --> 00:18:53,821
GRUYERE, EMMENTAL?
383
00:18:53,866 --> 00:18:54,423
NO.
384
00:18:54,466 --> 00:18:56,331
ANY NORWEGIAN JARLSBERGER?
385
00:18:56,368 --> 00:18:57,164
NO.
386
00:18:57,202 --> 00:18:58,328
LIPTAUER?
387
00:18:58,370 --> 00:18:58,836
NO.
388
00:18:58,871 --> 00:18:59,462
LANCASHIRE?
389
00:18:59,505 --> 00:18:59,971
NO.
390
00:19:00,005 --> 00:19:00,937
WHITE STILTON?
391
00:19:00,973 --> 00:19:01,564
NO.
392
00:19:01,607 --> 00:19:02,733
DANISH BLUE?
393
00:19:02,774 --> 00:19:03,604
NO.
394
00:19:03,642 --> 00:19:04,301
DOUBLE GLOUCESTER?
395
00:19:05,310 --> 00:19:06,174
NO.
396
00:19:06,211 --> 00:19:07,200
CHESHIRE?
397
00:19:07,279 --> 00:19:07,938
NO.
398
00:19:07,980 --> 00:19:09,379
ANY DORSET BLUE VINNEY?
399
00:19:09,414 --> 00:19:09,971
NO.
400
00:19:10,015 --> 00:19:11,414
BRIE, ROQUEFORT
401
00:19:11,450 --> 00:19:14,544
PONT-L'EVEQUE,
PORT SALUT, SAVOYARD
402
00:19:14,586 --> 00:19:17,020
SAINT-PAULIN,
CARRE-DE-L'EST
403
00:19:17,055 --> 00:19:20,513
BOURSIN, BRESSE-BLEUE,
PERLE DE CHAMPAGNE
404
00:19:20,559 --> 00:19:21,617
CAMEMBERT?
405
00:19:21,660 --> 00:19:23,491
AH! WE DO HAVE
SOME CAMEMBERT.
406
00:19:23,529 --> 00:19:24,587
YOU DO. EXCELLENT.
407
00:19:24,630 --> 00:19:27,190
IT'S A BIT RUNNY, SIR.
408
00:19:27,232 --> 00:19:29,223
OH, I...
I LIKE IT RUNNY.
409
00:19:29,268 --> 00:19:32,931
WELL, AS A MATTER OF FACT,
IT'S... IT'S VERY RUNNY, SIR.
410
00:19:32,971 --> 00:19:34,529
NO MATTER,
NO MATTER
411
00:19:34,573 --> 00:19:37,041
HAND OVER LE FROMAGE
DE LA BELLE FRANCE
412
00:19:37,075 --> 00:19:38,542
QUI S'APPELLE
CAMEMBERT
413
00:19:38,577 --> 00:19:39,805
S'IL VOUS PLAIT.
414
00:19:39,845 --> 00:19:42,245
I THINK IT'S RUNNIER
THAN YOU LIKE IT, SIR.
415
00:19:42,347 --> 00:19:43,439
I DON'T CARE
416
00:19:43,482 --> 00:19:45,347
HOW EXCREMENTALLY
RUNNY IT IS;
417
00:19:45,384 --> 00:19:47,181
HAND IT OVER
WITH ALL SPEED.
418
00:19:47,219 --> 00:19:48,618
YES, SIR. OH...
419
00:19:48,654 --> 00:19:49,643
WHAT?
420
00:19:49,688 --> 00:19:51,952
THE CAT'S
EATEN IT.
421
00:19:51,990 --> 00:19:53,252
HAS HE?
422
00:19:53,325 --> 00:19:54,087
SHE, SIR.
423
00:19:55,194 --> 00:19:56,252
GOUDA?
424
00:19:56,295 --> 00:19:56,920
NO.
425
00:19:56,962 --> 00:19:57,394
EDAM?
426
00:19:57,429 --> 00:19:57,793
NO.
427
00:19:57,829 --> 00:19:58,261
CAITHNESS?
428
00:19:58,363 --> 00:19:58,988
NO.
429
00:19:59,031 --> 00:19:59,929
SMOKED AUSTRIAN?
430
00:19:59,965 --> 00:20:00,556
NO.
431
00:20:00,599 --> 00:20:01,566
SAGE DERBY?
432
00:20:01,600 --> 00:20:02,362
NO, SIR.
433
00:20:02,401 --> 00:20:03,561
YOU DO HAVE SOME CHEESE, DO YOU?
434
00:20:03,602 --> 00:20:05,365
CERTAINLY, SIR...
IT'S A CHEESE SHOP, SIR.
435
00:20:05,404 --> 00:20:06,393
WE'VE GOT...
436
00:20:06,438 --> 00:20:07,769
NO, NO, NO,
DON'T TELL ME.
437
00:20:07,806 --> 00:20:08,932
I'M KEEN TO GUESS.
438
00:20:08,974 --> 00:20:10,271
FAIR ENOUGH.
439
00:20:10,342 --> 00:20:11,536
WENSLEYDALE?
440
00:20:11,577 --> 00:20:12,544
YES, SIR.
441
00:20:12,578 --> 00:20:13,704
SPLENDID.
442
00:20:13,745 --> 00:20:15,838
WELL, I'LL HAVE SOME
OF THAT THEN, PLEASE.
443
00:20:15,881 --> 00:20:17,246
OH, I'M SORRY, SIR
444
00:20:17,282 --> 00:20:20,012
I THOUGHT YOU WERE REFERRING TO ME...
MR. WENSLEYDALE.
445
00:20:20,052 --> 00:20:21,519
GORGONZOLA?
446
00:20:21,553 --> 00:20:22,076
NO.
447
00:20:22,120 --> 00:20:22,586
PARMESAN?
448
00:20:22,621 --> 00:20:23,110
NO.
449
00:20:23,155 --> 00:20:23,746
MOZZARELLA?
450
00:20:23,789 --> 00:20:24,414
NO.
451
00:20:24,456 --> 00:20:25,286
PIPPO CREME?
452
00:20:25,390 --> 00:20:26,049
NO.
453
00:20:26,091 --> 00:20:27,490
ANY DANISH FIMBOE?
454
00:20:27,526 --> 00:20:28,618
NO.
455
00:20:28,660 --> 00:20:30,457
CZECHOSLOVAKIAN
SHEEP'S MILK CHEESE?
456
00:20:30,495 --> 00:20:31,393
NO.
457
00:20:31,430 --> 00:20:33,022
VENEZUELAN BEAVER CHEESE?
458
00:20:33,065 --> 00:20:34,965
NOT TODAY, SIR, NO.
459
00:20:35,000 --> 00:20:36,797
WELL, LET'S KEEP IT SIMPLE.
460
00:20:36,835 --> 00:20:38,666
HOW ABOUT CHEDDAR?
461
00:20:38,704 --> 00:20:40,899
WELL, I'M AFRAID
WE DON'T GET MUCH CALL FOR IT
462
00:20:40,939 --> 00:20:42,270
AROUND THESE PARTS, SIR.
463
00:20:42,307 --> 00:20:46,073
MUCH CALL?! IT'S THE MOST
POPULAR CHEESE IN THE WORLD!
464
00:20:46,111 --> 00:20:47,442
NOT ROUND THESE PARTS, SIR.
465
00:20:47,479 --> 00:20:50,846
AND PRAY, WHAT IS
THE MOST POPULAR CHEESE
466
00:20:50,882 --> 00:20:52,076
ROUND THESE PARTS?
467
00:20:52,117 --> 00:20:53,209
ILCHESTER, SIR.
468
00:20:53,252 --> 00:20:55,083
I SEE.
469
00:20:55,120 --> 00:20:56,985
YES, SIR, IT'S QUITE
STAGGERINGLY POPULAR
470
00:20:57,022 --> 00:20:58,182
IN THE MANOR, SQUIRE.
471
00:20:58,223 --> 00:20:58,848
IS IT?
472
00:20:58,890 --> 00:21:00,448
OUR NUMBER-ONE SELLER.
473
00:21:00,492 --> 00:21:01,322
IS IT?
474
00:21:01,426 --> 00:21:02,450
YES, SIR.
475
00:21:02,494 --> 00:21:03,756
ILCHESTER,
EH?
476
00:21:03,795 --> 00:21:05,319
RIGHT.
477
00:21:05,364 --> 00:21:07,696
OKAY, I'M GAME.
478
00:21:07,733 --> 00:21:09,963
"HAVE YOU GOT ANY?"
HE ASKED
479
00:21:10,002 --> 00:21:12,095
EXPECTING
THE ANSWER "NO."
480
00:21:12,137 --> 00:21:14,605
I'LL HAVE
A LOOK, SIR.
481
00:21:14,640 --> 00:21:17,336
N...
482
00:21:17,442 --> 00:21:18,500
NO.
483
00:21:19,945 --> 00:21:22,880
IT'S NOT MUCH OF A CHEESE SHOP,
REALLY, IS IT?
484
00:21:22,914 --> 00:21:24,211
FINEST IN THE DISTRICT, SIR.
485
00:21:24,249 --> 00:21:25,739
AND WHAT LEADS YOU
TO THAT CONCLUSION?
486
00:21:25,784 --> 00:21:27,445
WELL, IT'S SO CLEAN.
487
00:21:27,486 --> 00:21:30,046
WELL, IT'S CERTAINLY
UNCONTAMINATED BY CHEESE.
488
00:21:30,088 --> 00:21:33,649
YOU HAVEN'T ASKED ME
ABOUT LIMBURGER, SIR.
489
00:21:33,692 --> 00:21:35,887
IS IT WORTH IT?
490
00:21:35,927 --> 00:21:37,053
COULD BE.
491
00:21:38,664 --> 00:21:41,224
OKAY, HAVE YOU...
492
00:21:41,266 --> 00:21:43,632
WILL YOU SHUT
THAT BLOODY DANCING UP?!
493
00:21:46,138 --> 00:21:47,196
I TOLD YOU SO.
494
00:21:47,239 --> 00:21:50,868
HAVE YOU GOT ANY LIMBURGER?
495
00:21:50,909 --> 00:21:51,671
NO.
496
00:21:51,710 --> 00:21:52,836
NO... THAT FIGURES.
497
00:21:52,878 --> 00:21:54,539
IT WAS PRETTY
PREDICTABLE, REALLY.
498
00:21:54,579 --> 00:21:56,012
IT WAS AN ACT OF PURE OPTIMISM
499
00:21:56,048 --> 00:21:58,278
TO HAVE POSED THE QUESTION
IN THE FIRST PLACE.
500
00:21:58,317 --> 00:21:59,306
TELL ME SOMETHING
501
00:21:59,351 --> 00:22:00,909
DO YOU HAVE ANY
CHEESE AT ALL?
502
00:22:00,952 --> 00:22:02,476
YES, SIR.
503
00:22:02,521 --> 00:22:05,217
NOW, I'M GOING TO ASK YOU
THAT QUESTION ONCE MORE
504
00:22:05,257 --> 00:22:06,622
AND IF YOU SAY "NO"
505
00:22:06,658 --> 00:22:08,785
I AM GOING TO SHOOT YOU
THROUGH THE HEAD.
506
00:22:08,827 --> 00:22:10,727
NOW, DO YOU HAVE
ANY CHEESE AT ALL?
507
00:22:10,762 --> 00:22:11,729
NO.
508
00:22:13,432 --> 00:22:16,833
WHAT A SENSELESS WASTE
OF HUMAN LIFE.
509
00:22:32,884 --> 00:22:35,284
HUGH WALPOLE'S ROGUE CHEDDAR...
510
00:22:35,320 --> 00:22:38,619
ONE OF THE FIRST
OF THE CHEESE WESTERNS...
511
00:22:38,657 --> 00:22:41,649
TO BE LATER FOLLOWED BY
GUNFIGHTAT GRUYERE CORRAL
512
00:22:41,693 --> 00:22:43,627
ILCHESTER '73
513
00:22:43,662 --> 00:22:46,688
AND THE CHEESE WHO SHOT
LIBERTY VALANCE.
514
00:22:48,300 --> 00:22:50,097
WHILE I'M ON
THE SUBJECT OF WESTERNS
515
00:22:50,135 --> 00:22:51,659
I WANT TO TAKE A CLOSER LOOK
516
00:22:51,703 --> 00:22:53,671
AT ONE OF MY FAVORITE
FILM DIRECTORS...
517
00:22:53,705 --> 00:22:57,072
SAM PECKINPAH, THE
EXPATRIATE FROM FRESNO, CALIFORNIA.
518
00:22:57,109 --> 00:22:59,373
IN HIS EARLIEST FILMS,
MAJOR DUNDEE
519
00:22:59,411 --> 00:23:02,073
THE WILD BUNCH AND STRAW DOGS
520
00:23:02,114 --> 00:23:05,379
HE SHOWED HIS PREDILECTION
FOR THE UTTERLY TRUTHFUL
521
00:23:05,417 --> 00:23:08,716
AND VERY SEXUALLY AROUSING
PORTRAYAL OF VIOLENCE
522
00:23:08,754 --> 00:23:11,154
IN ITS STARKEST FORM.
523
00:23:11,189 --> 00:23:12,850
IN HIS LATEST FILM
524
00:23:12,891 --> 00:23:16,691
PECKINPAH HAS MOVED INTO THE
CALMER AND MORE LYRICAL WATERS
525
00:23:16,728 --> 00:23:18,696
OF JULIAN SLADE'S SALAD DA YS.
526
00:23:29,408 --> 00:23:31,171
HELLO, EVERYBODY.
527
00:23:31,209 --> 00:23:33,109
HELLO, LIONEL.
528
00:23:33,145 --> 00:23:36,581
I SAY, WHAT A SIMPLY SUPER DAY.
529
00:23:36,615 --> 00:23:38,378
GOSH, YES.
530
00:23:38,417 --> 00:23:41,409
IT'S SO...
YOU KNOW, SUNNY.
531
00:23:41,453 --> 00:23:43,182
YES, ISN'T IT?
532
00:23:43,221 --> 00:23:45,917
I SAY, ANYONE FOR TENNIS?
533
00:23:45,957 --> 00:23:47,481
OH, SUPER!
534
00:23:47,526 --> 00:23:48,356
WHAT FUN!
535
00:23:48,393 --> 00:23:52,022
I SAY,
LIONEL, CATCH.
536
00:23:58,203 --> 00:24:00,228
OH, CRIKEY!
537
00:24:34,606 --> 00:24:36,540
PRETTY STRONG MEAT THERE FROM...
538
00:24:36,608 --> 00:24:38,371
SAM PECKINPAH.
539
00:24:48,000 --> 00:24:52,000
Ripped & Corrected By mstoll
540
00:25:50,015 --> 00:25:52,711
THE BBC WOULD LIKE TO DENY
THE LAST APOLOGY.
541
00:25:52,751 --> 00:25:54,275
IT IS VERY HAPPY AT HOME
542
00:25:54,319 --> 00:25:57,015
AND BBC 2 IS BOUND
TO GO THROUGH THIS PHASE.
543
00:25:57,055 --> 00:25:59,888
SO FROM ALL OF US HERE,
GOOD NIGHT, SLEEP WELL
544
00:25:59,925 --> 00:26:02,519
AND HAVE AN ABSOLUTELY
SUPER DAY TOMORROW.
545
00:26:02,561 --> 00:26:04,119
KISS, KISS.
546
00:26:05,664 --> 00:26:07,063
WE'VE JUST HEARD
547
00:26:07,098 --> 00:26:10,295
THAT AN EXPLOSION IN THE
KITCHENS OF THE HOUSE OF LORDS
548
00:26:10,335 --> 00:26:13,168
HAS RESULTED IN THE BREAKAGE
OF 17 STORAGE JARS.
549
00:26:13,204 --> 00:26:15,229
POLICE HAVE RULED OUT FOUL PLAY.
550
00:26:17,876 --> 00:26:20,106
LEMON CURRY?
551
00:26:59,684 --> 00:27:03,643
UM, I'M SORRY ABOUT THE, UH...
THE, UH... PAUSE
552
00:27:03,688 --> 00:27:08,182
ONLY I'M AFRAID THE SHOW IS
A COUPLE OF MINUTES SHORT
553
00:27:08,226 --> 00:27:10,217
THIS WEEK.
554
00:27:10,261 --> 00:27:14,493
YOU KNOW, SOMETIMES THE SHOW'S
AREN'T REALLY QUITE AS, UH...
555
00:27:14,532 --> 00:27:16,727
AS LONG AS THEY OUGHT TO BE.
556
00:27:25,210 --> 00:27:27,508
BEAUTIFUL, ISN'T IT?
557
00:27:49,801 --> 00:27:53,328
UM, LOOK, THERE'S NOT REALLY
A... A GREAT DEAL OF POINT
558
00:27:53,371 --> 00:27:55,862
IN YOUR SORT OF HANGING ON
AT YOUR END
559
00:27:55,907 --> 00:28:00,241
BECAUSE I'M AFRAID THERE AREN'T
ANY MORE JOKES OR ANYTHING.