I've never seen anybody send a letter like that
in previous cases stating there's a cadaver,
as he described it, at a certain location,
because he's more or less giving himself up,
whoever sends that, that letter.
It's just a very, very strange thing.
That's her address.
Uh, block letters of somebody who's hiding their signature.
And they spell "Beverly" wrong.
Somebody had to plan to do this.
They had to go to her house, do what they did,
and, and now you're taking this big risk.
Which big risk?
You're writing a note to the police,
that only the killer could have written.
And the police went on and on about
how "cadaver" is the wrong...
you know, most people wouldn't say "cadaver,"
they'd say "body."
They would conclude that that meant
that the person had something to do with
medical or ambulance services,
somebody who is involved in that
and would know and use the word "cadaver" for a body.
I think that word is so telling.
Kathie had a cadaver in medical school.
She didn't give it a name.
You know, she had respect for the fact that
it was a human being, a living human being at one time.
And so... She talked about her cadaver,
and she talked to Bob about the cadaver.
Bob heard that word over and over again
in relation to a dead body.
If you ask anybody how they would describe
a dead body, nobody says "cadaver."
This was a letter that Bob sent to Susan Berman.
Yeah, but Wall Street.
Take a look at the rest of that letter.
Oh, Jesus.
"Beverley".
I couldn't help but recognize
a similarity between the two.
I want to know what you thought of it.
I don't know enough about handwriting
to be anything other than dangerous,
but I see similarities and I see differences.
- Oh, God. - The "B" is exactly the same.
Son of a bitch.
Um, so are you going to record our conversation now?
Yeah.
Are you figuring now, or are you done?
No, it's recording.
That's when it goes into digital.
- See that? Yeah, yeah, yeah.
How do we make sure that we accomplish our goals?
Number one... Get justice such as
we can get in this case.
So we don't want to interfere with
anything that police could do.
We don't want to interfere with anything
that'll continue to get us more evidence
or any of that.
Bob... Second interview.
It's very possible that he goes into
the interview feeling one way,
and he comes out of the interview
feeling a totally different way.
Whether we use it or not, I would love
to do the handwriting exempt thing
that we were talking about.
My name is John Osborn, and I'm a forensic document examiner.
That's the envelope that was received by the Beverly Hills Police Department
shortly after Susan Berman was murdered.
Inside that envelope was this note:
Susan Berman's address, 1527 Benedict Canyon...
and the word "cadaver."
What I'm immediately looking at is
letter forms which appear more than once.
So, for instance, you have 1, 2, 3 capital letters "N."
So, that is a letter that he wrote to Susan Berman in its original envelope.
There's some distinctive characteristics of interest.
But in order to determine whether or not
these two writings were prepared by the same person,
you would have to have a significantly larger
quantity of known specimen hand printing
and numerical figures that are comparable...
Not necessarily the same words or names,
and not necessarily in the same order,
but the same individual letters.
All right. So what do we have documents-wise?
How many documents do we have?
- About 40. - That's a lot.
Oh, my God, look at that.
A lease application where Bob says his job
is a chief botanist.
This is good.
There's a ton of them.
They're very similar, all of them.
So what I'm going to do is first take
the cadaver letter
and the envelope that the letter was received in
and separate out each of the letter forms.
What I want to do is perform a comparative analysis
between the individual letters and numerical figures
that appear in the cadaver letter and the envelope
with appropriately comparable known specimens,
submitted as that of Robert Durst.
The "N" s... The more distinctive characteristic.
Let's take a look at this one right here
among our questioned items, and this one right here.
I mean, I would say they're pretty bang on.
These particular characteristics are unique to one person,
and only one person.
You know, this is a guy who in some ways
I've been giving tremendous benefit of the doubt.
You know, not just in terms of
the kinds of questions I ask him,
but in terms of my emotional connection to him.
You know, I like the guy.
This shift, for me, post-L.A.,
and, you know, with everything
that we've learned in the meantime, is big.
And yet it's not, it can't be evidenced
in my relationship with him.
I can't be, I can't be any different.
And yet my feelings about it are very different.
My feelings are, you know, are different not
because I thought, "Well, I was
"sure that Bob was innocent, but
I wasn't sure that Bob was guilty."
And that's a big, big change.
Your call has been forwarded
to an automatic voice message system.
Hi. This is Bob.
Is not available.
Hey, Bob. It's Andrew Jarecki.
I want to sit down and finish our
trailing questions on our interview.
I'm going to need, you know, a, I don't know, a solid day.
So that's my theory. I'm at your disposal. Bye.
Hello.
Hey, it's Jarecki.
- Hey Andrew, it's Bob. - Hi.
So, I am on my way to Madrid on Friday
and I'll be back in a week.
All right, I don't think we're talking about something very extensive.
We're here, and you can come over any time.
Yeah...
I'd rather go to Madrid and come back.
Sounds good. Have a good time in Madrid.
Thanks a lot. Bye-bye.
Do we know where he is in Spain?
Yeah, he's in Madrid.
Well, we don't know that he's in Madrid.
I mean, I find him to be...
- Yeah, I doubt he's lying about that... - Truthful.
Are you guys fucking kidding me?
Hey, it's Jarecki.
I was wondering if maybe that was Jarecki.
Anyway, I am happily here in Spain
and I am getting back to New York on the 31st.
And I'm happy to meet with you at your convenience
on that Friday.
- Great. Talk to you soon. - Bye-bye.
Oh, you'll love this. You'll love this.
Sareb told Bob that we had contacted him.
So Bob said, "Oh, you know. Okay fine. Fine. You can talk to them..."
"but don't tell them that I'm in L.A."
"I told them I was in Barcelona."
Wow.
He actually told me he was in Madrid.
Hi, this is Bob.
Is not available.
Hey Bob, it's Andrew Jarecki.
So, I got your message.
I mean, of course I'm free on November 3rd and November 4th...
but that's forever from now.
I thought you were coming back on the 22nd.
At some point I might have to start making another movie.
So how many days till Bob?
Well, today is Tuesday.
- It's a week. - Next Tuesday, one week till Bob.
If he doesn't cancel.
- Bob? - Yes.
I'm seeing you on Tuesday morning, yes?
No.
Let's reschedule that.
All right.
I mean, I'm very disappointed to not be doing this on Tuesday.
Oh, me, too.
You know? It's kind of killing...
I feel like we're just...
I... I... I hate to say it,
I don't want to be the naysayer,
but it just doesn't sound like he's gonna do it.
Sounds like he's just going to keep putting it off
and keep seesawing and torturing us.
I think it just literally comes down to,
in the sleepwalking of Bob,
is today a day when he feels like talking,
is a day when he doesn't feel like talking,
is a day when he feels like talking, he'll give me a date.
Later on, if it happens by coincidence
that that date is another day
when he feels like talking, he'll show up.
If it's not another day when he
feels like talking, he won't show up.
Hello.
Jarecki.
Hey Andrew, how are you?
I have given some thought to what you are planning on doing -
or what I think you're planning on doing -
and it increasingly makes less and less sense to me.
For me, I just feel like we're far enough down the path...
I know we got to the end of the last interview,
and you said, "Well, I wouldn't mind doing this again."
And I know there are days when you probably wake up, like me,
and you go, "What the fuck am I doing this for?"
And other clays when you say, "Well, I could spend another day on that
if it was entertaining."
I sort of think you need a new gig - that you've done Robert Durst.
I'm at the point of not doing anything.
Period.
So Bob basically is off the map.
Yeah, which is why I don't think
he's like necessarily freaked out about us,
unless he's actually found something out.
Hello?
Hey.
- All right, who's on? Zac? - Yep.
- Hey, Colin? - Yeah.
- Marco? - I'm here.
All right, so I just got a text message saying Roberto's been arrested in New York.
Hi. I'm trying to get the arrest number
for somebody who was arrested either today or yesterday.
He's not at Manhattan Central Booking,
and he's not at Bronx Central Booking.
But if he was arrested today, they don't get a list.
She says, "My list, if he was arrested today,
my list doesn't get updated until 4:30-5:00."
M13672299?
You can't tell me what he was arrested for, can you?
Okay. All right. Thank you.
In court, they said Doug had put
an order of protection on Bob after, you know,
that day we shot in Times Square.
They had video surveillance footage of Bob approaching
Doug's house a couple of weeks later.
And so apparently he had broken the order of protection.
So they went and they arrested Bob.
And they had a bail hearing that he got $5,000 bail.
Yesterday, suddenly, Bob called me.
So then he sends me this message this morning.
"Left you a lengthy voice-mail and I ain't heard anything.
"Hope you not dead. Otherwise please contact. Bob."
Let's hear it.
Next message.
Yeah, hi Andrew, it's Bob Durst.
So, I met with the lawyers. They've been through all the stuff,
in terms of me walking up a stoop.
And you're going to get a call from them.
They're going to want to know what you remember happening
when I went and had myself filmed by you in front of the buildings.
Um...
That's about it.
Lawyers are lawyers and they're going to do what they do.
Alrighty. Bye-bye.
They're saying, "Bob, if you don't want to go to jail,
"and you want to have a good defense here,
you need Jarecki and Smerling to give you the defense."
Obviously it gives us a lot of leverage.
I can get the footage that we, that we shot that day,
and the stuff in front of the, in front of Douglas' house,
and share it with you.
My only, you know, uh, um, request is that
we agree that if you're going to,
if you're going to submit it or file it or something,
that we just agree to limit, limit it,
you know, to the relevant thing.
I don't know what that is. But I'll be happy to agree to,
you know, if you want to use it
or you want to make it part of your filing, I will.
- Hello. - Jarecki.
Hey Andrew, how are you?
I actually have a list of things and I forgot some of them.
I am ready to be filmed if you're still interested in doing that.
I am, of course.
If it happens this weekend,
uh, how are we approaching it? You know?
We're going to start with softball questions.
A trip down Memory Lane.
We want to bring him to that place, that time.
So, we have a little pile of stuff.
"Here's a photograph of you and Susan.
Do you remember when that was taken?"
Now we give him just the letter
that's in the envelope.
You take it out of the envelope.
Don't let him see the envelope.
Take it out of the envelope. Hand it to him.
"Susie.
"Now and again I think about old times.
Good luck. Bobby."
This was in Susan's personal effects.
So, this is a letter to Susan.
Why was this letter so short?
When did you have an office at 67 Wall Street?
Then you put the envelope.
"Here's the envelope it came in."
And now he looks at the envelope.
And he's like how is he going to back out of that?
I don't think... He's not gonna admit to writing that.
He's not gonna admit to it.
Dude, this is... This is extremely hard for him to say...
This was found inside this.
They're both on ancient,
12-, 14-year-old Robert Durst letterhead.
I understand. - This was falsified...
So, you're going to have to dig in on him.
He says, "I didn't write that envelope.
I don't know where that envelope came from."
You're going to have to dig in.
You're saying I got to do that, what I just did?
Yeah, you gotta do that.
Well, I mean, the question then is,
you know, is it enough?
And do we move on to something else?
That one you're going to have to modulate.
Well, if he admits...
If he says, "Yes, I wrote the cadaver note,"
then you get to "Did you kill your best friend?"
We don't know what he's going to say.
"Did you carry this with you?"
I guess is the question.
- Yeah, no. - I think that's...
If he'll talk about that...
That's not bad.
Why were... "Why were you caring about carrying?" is better.
I think that, if I was sitting in the hot seat,
that's a hard one to explain.
I don't have to go into the letterhead question on this, right?
I can use the letterhead question here.
The problem is that...
That's what you've got to do...
He may say...
He'll be focusing on the letterhead.
Well, I don't know, because...
There's a good chance.
And it will take his mind off...
Yeah, but it gives him a lot of time
if he's scanning... And he's a smart fucker...
Gives him a lot of time to look down there
and be like, "Oh, they're going... They're going there."
How about being more firm to him about it, saying,
"Obviously to anybody who's looking,
"looks at these two, these two addresses written this way,
"they're going to think they're written by the same person,
"that the person that wrote this envelope
wrote the cadaver note."
Is that better than "I," "me."
Look, "When I look at this, it seems to me that..."
I think that's always best.
"When I look at these two things, Bob, it looks to me like..."
Can I just say, "When Marc and I look at these two things"?
"When Zac looks at these two things"?
The more I sit here, the more I realize like,
"A," how hard this is gonna be...
and "B," how cold it's going to feel to him.
There's not a doubt in my mind
that Bob Durst has killed at least 3 people.
I believe that he killed his first wife.
I think Susan Berman had fallen on hard times.
I think when she made the statement
that the New York detectives were gonna go talk to her,
that sealed her fate.
I think whoever killed her assassinated her,
and I think it was Bob Durst.
There's no doubt in my mind that he...
That he killed Morris Black, because he admitted to it.
He also dismembered him.
I... I think he is being unfairly accused of these.
Honest... I know that he is innocent
of the... Of the charges
in, uh, in Galveston.
But, I... I feel like he is being
unfairly accused on these other events...
The disappearance of Kathie in New York,
and the... The death of Susan Berman.
You know, I've said before that I think
that Bob Durst may be the unluckiest man in the world.
A lot of people write him off
as an eccentric kind of guy, and, uh, you know,
"It's just Bob being Bob."
It would be cute if "Bob being Bob"
didn't result in 3 people being dead.
Bobby's best friend.
Bobby's wife. Bobby's neighbor.
You know, there's not a...
very often they say, you know,
a lot of smoke doesn't necessarily mean fire,
but I think there's a lot of smoke here.
He seems to be at the wrong place
at the wrong time very often.
I think that his whole life, he's felt slighted
and underappreciated and smarter than other people.
And he wants to get this across.
He doesn't feel like justice has been done,
even as people peel away and want little to do with him.
He's stuck in a rut that began when he was a... A child.
Right or wrong, Bob has dodged some bullets.
And when you care about someone,
and you're in the line of work I am,
that leads me to want to counsel Bob
to enjoy the vineyard, have a good time
in New York and Los Angeles, travel.
Even this documentary, I told him,
"Look, I know you want to tell your story.
"It's important to you, and that's fine by me.
"But I want you to remember one thing.
"You run the risk of pissing people off.
"And people that have intentions contrary to your liberty.
Don't forget that."
- I mean, I'm very... - I'm very nervous about it.
Why?
Uh, I don't know.
I woke up early this morning.
You know, I've spent a lot of time on the phone with him,
a lot of time talking to him.
I think that Bob is a lot more volatile than I've ever thought before.
And maybe that's what I had to think in order to do everything we've done.
In order to be as close to him as I've become,
maybe I had to imagine that he was more rational.
For years, I've been saying to people, "I'm not afraid of him.
I don't feel fear."
But at the same time, you know,
you can't help but consider that
if you're about to let him know that,
you know, you're potentially becoming the enemy.
There he is.
How are you?
Good to see you, Andrew.
Hey, Mr. Durst.
Hey, Bob.
- Marc. - How are you doing?
Nice to see you again.
I'm here.
Let's go upstairs.
...reach into the bag...
Right, so what we're going to do is get some coffee...
Very interesting information for you,
if you want to do it. And...
Excuse me.
So, I want to... Now I want to ask you
about a bunch of photographs and stuff.
Some of it's all stuff...
Some of it's stuff you've seen before,
because some of it I got from you.
Um, but for us to...
That's me and my yellow horse.
We're in Central Park.
This one is you and Kathie.
Could this be at her mother's house?
Might be in Vermont.
I still have the long bangs type...
What was it, Viking something or other hair.
This is an interesting picture of you and Susan.
Yes, I'd like to get a copy of this.
Yeah.
You can have this one.
Um... All right. I want to ask you about this address.
"Susie.
"Now and again I think about old times."
"G.D. Good luck. Bobby."
"Susie"... What, what about the address?
This office was... Was your own office
that you had for a period of time?
Yeah, yeah. I... I...
when I left the family business,
I moved my office downtown.
Do you remember writing this to Susan?
No, not at all.
I left the family business in '94, '95.
"Susie, now and again I think about old times.
Good luck. Bobby."
I don't know what Susie was doing.
She must have come out with a new something or other?
Whatever she had had published or whatever in '94, '95.
I have no idea what that's about.
My theory is that this probably was
- you sending her some support. - Oh, that's possible.
That certainly is possible.
I can easily see writing that letter
and putting a check in there.
I want to show you the envelope that that letter came in.
Would you read me the address on this envelope?
"Robert Durst, Floor 24,
67 Wall Street, New York, New York 10005."
And who you sent it to?
"Susan Berman. 1527 Benedict Canyon,
Beverly Hills, California."
"Beverly, spelled wrong, California. 90210."
Which is, which is, you know,
the zip code that you want in Beverly Hills,
but you just didn't want Susie's neighborhood.
So, obviously I want to ask you about the cadaver note,
the famous cadaver note.
Can you read me the spelling of Beverly Hills?
"Beverly Hills Police, 1527 Benedict Canyon, Cadaver."
The same misspelling.
So "Beverly" is spelled the same way on this
and the same way on this.
Same misspelling.
What does that say to you?
Well, I mean, the writing looks similar
and the spelling is... Is the same,
so I can see the conclusion the cops would draw,
or the writing exemplar person would
conclude they were both written by the same person.
And I think this, I mean,
this is a comparison of the two, right?
Which is a...
Very similar.
So, I guess the question is
did you write the cadaver note?
No, I didn't write the cadaver note.
So you wrote this, but you didn't write this?
Definitely wrote this, but I definitely did not write that.
I... I guess I'm searching for a way,
among other things, to understand how, um...
Two people could misspell "Beverly"?
I'm searching for a way to figure out
how you didn't write the cadaver note,
'cause it's so similar.
Well, what I see as the similarity
is really the... A misspelling in the Beverly.
Other than that, the block letters are block letters.
How else would you write a block letter than... Than that?
I mean... I mean, it's almost like a... A typed thing.
It's gonna look... With 2 typewriters,
it's gonna look the same.
So, you wrote one of these,
but you didn't write the other one?
I wrote this one, but I did not write the cadaver one.
And can you tell me which one you didn't write?
No.
Good.
- Thank you very much. - Well, thank you very much.
And it's 5 after 4:00.
- Perfect timing. - Can I have this?
- Or are you gonna send me...? - Yeah, I want you to have it.
Thank you. Oh.
Do we have Bob's bag nearby?
Do you want to take one of the sandwiches, Bob?
Yeah, but we can wrap one up and...
We've got so many sandwiches.
What are we going to do with them?
I am going to go use the restroom, which is right here.
Or maybe this is the bathroom?
- Yeah, that's the... - You're right.
This is the bathroom.
There it is.
You're caught.
You're right, of course.
But, you can't imagine.
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right.
I was wrong.
And the burping.
I'm having difficulty with the question.
What the hell did I do?
Killed them all, of course.